28.3.09

TRESS LAMP




By Marc Sadler.
Via:
contemporist


Marc Sadler has designed the Tress Lamp for Italian lighting manufacturer Foscarini.Tress is made with composite materials that are technically similar to those used by Marc Sadler and Foscarini when they developed the Mite and Twiggy collections, but with a completely different application and results, that achieve new expressive possibilities for the material and the development of manufacturing techniques.

Summerhouse Inside Out Hvaler





Via: archdaily
Architect: Reiulf Ramstad Architects,
Oslo NorwayLocation: Papper, Hvaler Islands,
NorwayProject Team: Reiulf D Ramstad,
Anders TjønnelandSite Area: 80 sqm
Project Year: 2004-2006

27.3.09

some words of wisdom from Madonna

SAGMESITER x LEVI'S 501 ART INSTALLATION FOR AMERICAN RAG



Levi’s continues to team-up with artist, this time with the graphic design firm Sagmeister. With iconic works spanning leading musicians Rolling Stones and Velvet Underground among others, Levi’s bestows upon Sagmeister the iconic 501 to form their own artistic endeavor. We’re all very much aware of the 501’s influence over many generations from the workyard to the pop culture world. The co-branded art installations will be seen exclusively at retailer American Rag and their two locations in Los Angeles and Levi’s home-base San Francisco.

MORTAL ENGINE

BOFFI BATHROOM








Sabbia by Naoto Fukasawa and B-14 by Norbert Wangen bathrooms

Via: trendir

JAPAN AVANT-GARDE





NEON O’CLOCK WORKS is a conceptual artist unit by Tomihito Kono and Sayaka Maruyama who works in the field of art & fashion photography and makes an art series of photo & short movies inspired by their own imagination.

Their works are influenced by Surrealism, Modern Art, Films, Paintings, etc.

Their latest work, Japan Avant-garde is a photographic series partly influenced by Geishas. This project want to investigate the dark side of beauty.

RISES UP WHEN TURNED ON



Via: 3ring

Text Via 3ring:

When turned on, it goes up and stays up. When turned off, it falls limp. If you’re looking for a conversation piece, look no further. To clarify, V/a.g.r.a. is a lamp and its designer, Romolo Stanco of Italian design lab nonesiste, obviously has a sense of humor. Given the number of VIAGRA commercials broadcast lately, you really can’t blame him. Moving beyond the obvious puns, V/a.g.r.a. is in effect, a living lamp composed of “embryonic and morpho-organic articles that come to life, move and react as living creatures stimulated by light.”

DOLLAR TEDDY BEAR


The bear is sewn entirely out of genuine U.S. dollar bills. No eyes, no mouth, just old dollar bills. Featuring a zipper for stuffing, and is suitable for retrofitting with crushed dollar bills.

ADUANA -PORTFOLIO KIKE BESADA








Via: flylyf

101 RUSSEL HILL ROAD / GH3















Via: archdaily

Built in the style of architecture of the 1970’s, the house was renovated several times following a traditional approach to the house design by converting large open spaces to a cellular room design. The renovation reopened the ground floor so that it became an open loft-like space from front to back (the house is about 70′ long).

N.A.S.A. - "GIFTED" VIDEO (FT. KANYE WEST x SANTIGOLD x LYKKE LI)

GLC FEAT KANYE WEST "BIG SCREEN"

Do the stanky leg dance (GETS KING OF CRAZY AT 1:48)

KID CUDI INTERVIEW WITH COMPLEX

Click HERE to read the full article at complex...

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HERE for more info...

Kid Cudi on his career expectations...

"My whole thing is to not to be as big as Kanye or Lil Wayne, but to be bigger. It’s all about progression. If I just set the goal to want to be like Kanye and Lil Wayne, that’s setting my shit to a limit and it’s selling myself short. I’m pretty sure when Kanye was aspiring to do his music, he wasn’t like, I want to be as big as Jay. He was like, Nah, I want to be bigger then Jay. It’s not necessarily saying that you are better than them, it’s just setting that bar. If I never am better then Kanye, in my brain, I’m always going to be trying to be, forever and ever until the day that I die.

…on Reebok situation

It was never about Reebok, the brand or anything like that. Nike don’t always make the dopest shoes, no brand makes dope shit all the time. I was opposed to the shoes they tried to give me—I didn’t like them. I didn’t get into because it was Reebok people, I got into it with one individual who approached me the wrong way. I’m a man at the end of the day. I’m not a fighter, I don’t like violence—hell, I don’t even know if I know how to fight. I’m not a strategic fighter, that’s not my steez. I don’t know how to work a gun if you gave me one, I wouldn’t want to fucking touch it. But at the same time, I ain’t no sucker and I was in a situation where a dude was trying to test me as a man. I let it get to me, but that will never happen again. A nigga want to test me? So what. I will never let anyone rub me the wrong way. It’s something I don’t regret at all. It was something I needed to do at that time. That dude was wrong. I reacted off of his reaction. He interfered in a conversation I was having with two other people. I wasn’t even the first one to put hands on him, my security Zule was. I tell people, he’s always close, he’s not even certified, he’s just a nigga from the hood.

…on New Album

Right now, the name of the album is Man On The Moon, The Guardians. It may change, depending on the features. Right now Snoop is down, he told me his oldest son put him on to my record. Snoop is my favorite artist of all time. He’s someone I look up to. I explained to him the idea of the song and he’s with it. I’m also trying to get Shia Labeouf in my project. I want the album to be as cinematic as possible, and feature people that are great at what they do. We’re both young talents in this game, and I just found out Shia was a fan of my song “Day N’ Night,” and I’m a fan of his. He’s killing shit, I feel like I’m doing the Shia Labeouf in music. We’re working on trying to get him to narrate the story of the album.